The series 'Homocromas' is about the media multiplicity. Relations of power, seduction, identity, territorials, interactives, virtuals and materials which take place in a digital graphics context. The term 'homocroma' is used here in the sense of 'man' and 'color'. The chroma is the substitute of the 'aura'. It is the essence that generates, amalgamates and dissolves at the same time the bodyless faces which do not expect to be portraits, the faceless bodies that are not posing nudes, the textural motives which act as dis-identifiers. 'Homo', meanwhile, represents the human, presented as a labeled package formed by the square format and its contents. These are referred as a swarm of recontextualized, eroticized and dramatized entities, which define our current status in both senses literal and metaphorical, and that, like calligraphies, maps, boundaries, labyrinthes, microcircuits, bows, walls and fingerprints, replace the epidermis itself as a sensitive interface.
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